__ __| _| __| | _ \ \ \ / -_) _| _ \ _| \__ \ _ \ \ _` | _\___/\_/\_/\___|_| \___/_| ____/\___/_| _\__, | ____/ Tower Of Song Canadian Culture E-zine Editor: Mike Winter mfw127@sparkle.usask.ca Issue #2 September 26, 1994 -=-=-=-=-=-=-=-=- Table O' Contents =-=-=-=-=-=-=-=-= ||Introduction|| ||The Thunder Bay Scene || ~ Michael Ball ||Reviews and Stuff ~ Mike Winter/Electronaut Featuring::Music That Beavers Like :: Vinyl Up Yr Bum || ||Sloan Article\Gig Review\Interview|| ~ Keith Moen ||Tour Dates a Plenty|| ~Various - =-=--=-=-=-= Introduction =-=-=-=-=-=- Well, welcome to the second issue of Tower of Song. Please submit stuff for the next issue, or even write me, as I would love to hear your comments on this issue. I would like a lot of diversity, Canada is a big country, and the 'zine is a bit Saskatoon-centric right now. If you want to see the first issue, just e-mail me, and we should have a ftp site set up by next issue. Get yr voice heard. Late Breaking Bulletin: I now have a mailing list set up, by which you can have future issues delievered to yr mailbox in a timely fashion! To subscribe send a message to: music-request@arts.usask.ca with the message text: subscribe music your-name -=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Thunder Bay's World Domination By Michael Ball =-=-=-=-=-=-=-=-=-=-=-=-=-=-=- Thunder Bay. I think this city should be re-named to 'Break Up' city. It seams many of the good, promising bands have either broken up or fallen by the way-side. Those that have left us, Fat Like Dad, Cold Fusion, and Mobious, three of the most prominent and hopeful bands, have left a big void in the local scene. Local bar owner Frank of Crocks N' Rolls, agrees. "It seams like there are no bands here any more" Frank quips as he sticks his head out of the Kitchen area. But alas, there is hope on the horizon, or tunes in the basement! Thunder Bay's best known band, Headcramp, has just released a full length CD titled 'Mind Blowing Beef-fest Spectacular' on Meathead Records. Distribution is handled by Cargo Records. The band had some bad luck this summer, as some of their equipment was stolen, delaying the tour. But rumour has it that A&R types are looking at the band. Good Luck! Another success is Mouth. After winning big at two contests, the band has made a full length album and hopes to have it out in the new year. Another spirited upstart is Love in Venice (see short bio following). LiV is in the studio recording the first single to be released on Meathead/Cargo Records and will have an album out in the spring. Look also for other young upstarts Julian to be making some waves soon. Are you happy Frank? Still the best place to play in Canada is found right in here in the Bay, Crocks N' Rolls. I think he is. - ---------------------------------------------------------------------- Love In Venice: Who are those guys? And where did they get those hats? Formed in the ashes of a dying Thunder Bay music scene, Love in Venice emerged like the Pheonix in the late summer of 1994. Consisting of songwriters Mahlon Ward (voices) and Michael Ball (guitar), bassist Rob Hole (who secretly is Gene Simmons - shhh!) and the rhythmic drumming of Arek Wojciechowski. Combining powerful lyrics and strong emotion with an emphatic stage presence, Mahlon Ward is a natural lead for the band. Charged enthusiasm, combined with the members' unconventional music palettes, have created the Love in Venice experience. Love in Venice quickly emerged as a driving force. Playing at all levels of the club scene, the band became popular for their high energy sound and near chaotic stage shows. The music is heavy on groove and strong on feel. The very nature of the band and their music, with free flowing songs and extended guitar playing, is reminiscent of Jimi Hendrix or The Doors. Songs like 'Ride the Eagle' and 'Horse' have a late sixties feel while 'Dream the Unknown' is solid mosh music. The lyrical style is that of emotional fragmented youths trying to make sense of the world and themselves. In the fall of 1994 the band will be releasing a single from Meathead Records and distributed through Cargo Records. The song, 'Kool Kendra', will be a lead-off single to an upcoming album. The album will contain only a sample of the prolific song writing of Love In Venice and is experimental in many ways. Look for a January release and Cargo Records distibution. Music for themselves. Music for the people. Love in Venice. Touring, promotional and other information on the band can be made through ballm@gov.on.ca or by contacting: Pandemonium Productions, 400 West Arthur Street, Suite 5, Thunder Bay, Ontario, P7E 5R2. Band info can also be found on the 'SloanNet': jrcovey+sloan@ac.dal.ca =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- Reviews And Such By Mike Winter =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- -- Eric's Trip _Gordon Street Haunting_ Chris, the guitarist for Eric's Trip, has talked about how the band tries to distil an element of magic in all their recordings. Rock 'n' Roll after all is a pagan pursuit. The beauty of Eric's Trip is that their noble pursuit is so often achieved, with a sound like Sebadoh should have. Following up _Love Tara_, the best album of 1993, _Gordon Street Haunting_ is a holdover release until their new lp comes out on SubPop in the fall. You can feel the magic of the band in the ominous guitar squeal of 'I'm so Near Here' before the power chords crash over you in pure danceable white noise. Or the haunting mystical melodies of 'Departure Song' and 'Lightly Feeling'. With this release Eric's Trip strengthens their position as Canada's best band. -------- Jale _Dreamcake_ After a series of great singles on Canadian labels such as Cinnamon Toast and Derivative, Jale hit the bigtime this year, signing with SubPop and releasing their debut LP _Dreamcake_. To resort to cheesy metaphors, _Dreamcake_ leaves the same impression as the fluffy pink cake on the cover; nice to look at but not a full meal. I think I should like this album more then I do, there are some great songs like 'Not Happy' 'Again' and 'Promise', but for some reason a lot of the melodies and riffs don't' stick on me the way their vinyl releases did. At Jale's best they sound like a more danceable Breeders, at their worst just bad girl-rock sludge. All in all, a pretty good album, if not quite up to their potential, and I have a feeling that it will grow on me. - Triston Psionic _Sounds of Triston Psionic_ Sure, there's the sonic freakout at the beginning of 'Screamin' Beamin' and the Daydream Nationy intro to 'The Nightmare Returns', but deep down these fellers are all punk-pop despite their noisy aspirations. After appearing on a host of compliations and seven inchers, many on their self-run label Sonic Unyon and a cross-country tour with Eric's Trip, the band finally got ten songs together for this release. The band is suprisingly tight and really hit some highs on songs like '25 cents' 'Nightmare.."and 'Ketchup' when the melodies groove and the chunky guitars really kick in. All in all, a durn fine release and definite promise of great things to come. -=-=-=-=-=-=-=-=-=-=-=- Music that Beavers Like By the Electronaut -=-=-=-=-=-=-=-=-=-=-=- Hello hardy Canadians and friends of music everywhere. This is a review column focusingexclusively on Canadian bands. Call me biased, but I think the canuck bands are among the best on the planet. An let's be honest, the canuck music scene is exploding with such force that the shrapnel is falling on all four corners of the globe. I'd like to think of myself as kind of a guide who charts this glorious explosion by writing really long and hopefully somewhat informative reviews on the plethora of great canuck bands currently making the scene. A good deal of my free time goes into music. Listening to it, talking about it, doing shows at the local community radio station, and buying and selling it. ------ Sister Lovers _Giver, the Official Bootleg Album_ This is the blissful result of what you get when you mix one part Sister Lovers with one part strong alcoholic beverages an leave them to their own devices in their basement recording studio. Right from the getgo 'Vancouver's most fun loving pop band' rock out with the awe-inspiring 'Ritalin Kidz'. If this tune doesn't have what it takes to be an anthem for todays disenfranchised 20-somethings I don't know what does. Other tunes of note include 'It takes a certain kinda man to chain his wallet to his pants! (Petey Wheatjeans comment on modern fashion), 'Tutti's Tits' (homage to the lovable facts of life star) "Clap for the Nardwuar" (a tribute to everybody's favourite Canuck dj) and covers "Crazy Nights" (bass player Jstar sings the Beat's "Dreaming", which is hot stuff at CITR). Any way you slice it, these mutants of pop culture are a national treasure. And speaking of pop culture, guitarist Klienz recently dethroned the former kings of pop trivia, LA's Redd Kross on Vancouver radio with a killer quiz. GO CANADA!. Anyhow, _Giver_ is essential listening. Buy this and I'll see you in musical heaven. Also look for a full length CD which they are currently recording, tentatively called 'Carnivorous Plants' Horrifying Circus Music PO Box 78069 2606 Commercial Dr. Vancouver, BC V5N 5W1 -- Smugglers _Wet Pants Club_ Ah, the Smugglers. The an that put the ass in Canadian Ambassadors. To be frank, I love the Smugglers. Their illustrious recording history includes:appearing on the first four releases of Nardwuar Records, a full length for Seattle's Pop Llama records and then a retrospective album featuring lots of old and some new stuff, and a great 7" for Mint records (not to mention a split 7" with the Hoods, an appearance on Puck Rock Vol. 1 and an EP for Spain's Radiation Records). To get to the point, all of this aforementioned only serve to inflate the giant, powerful Smugglers balloon that has hovered ominously over the Canadian music scene for years. Their new full-length kind of deflates the balloon, making it a little flaccid. Don't get me wrong, _Wet Pants_ isn't a bad album, it just doesn't live up to previous efforts. Problems: a. There are no Dave Carswell rockers like 'Your Mom's the Devil' or 'Superstar' b. Too many covers. 'Big House' is good but 'Pacificia Stomp', 'Luau' an 'Lies' aren't too hot, and Kiss like a Nun has already been released. I like 'Time Marches On', 'Mach 1','Surrender'and 'Amnesia' a lot, but there's' just too much filler on this album. If you're a fan of the band, this album is worth having for the hilarious liner notes by Nardwaur, a rad silhouette drawing by Robynn Iwata of Cub, an a candid of 'les Schmugs'on a scary log ride. If you're a first time listener, I would recommend getting 'In the Hall of Fame' or'Prty Pooper ! 7' They kick butt! Radiation Records Ado.1427 48080 Bilbao Spain --------- Tristan Psionic _Songs of Tristan Psionic_ The good news about songs is that the production is such that the bands great live feeling is allowed to come blasting through your speakers. honestly, T. Psionic is the most incredible live band! When they pased through S'toon at the beginning of the summer with Eric's Trip and played at our local punk all age club, their set got me dancing like such a fool that all the locals who didn't think T. Psionic were hardcore enough wanted to pound the snot out of me. While these guys are definitely disciples of Sonic Youth, they're not ripoffs in any way. They take frenzied, eking, fuzzy guitar experimentation an wield it into kinda melodic, pretty darn catchy songs. Plus Tristan psionic deserves utter respect by any proud Canuck because two members of the band are also head honchos of the great new Sonic Unyon label which is a collective of sorts that is responsible for helping a lot of bands put out their music that otherwise would not get heard outside of Ontario.. Which is cool. Sonic Unyon PO box 57347 Jackson Station Hamilton, On L8P 4X2 --------- DBS _Catch 22_ In a world where cheesy Epitath bands like Offspring represent punk music to the majority of the country, it's refreshing to see that not all of our youthhave been corrupted by SoCal sap. These fifteen year olds from North Van thatk eusch a lightheared approach to their tunes tat you'll find yourself chukling an singing along with songs like 'runaway','cheating at solitaire','lalala' and 'wayout'. DBS can't stand bands who take themselves too serioulsy or use their shows\records as a vehicle to express their political beliefs. Instea, they sing about 'girls,dead bodies,ex-girlfriends'. Another neat thing about the ban is that while they fall best into the category of harcore, they don't have that generic monotonous 'every song sound the same' sound. This is due to the various semi-silly subject matter, an realy quirky, cool, surprisingly talented gutiar playing. Punk dittys about best friends who move away and people who realize that cheating at solitaire is wrong are a rollicking good time. Jes @ 980-5202 ------- -=-=-=-=-=-=-=- Vinyl Up Yr Bum -=-=-=-=-=-=-=- ------- Ten Days Later _Go With the Flow_ 7" Oh yah, Ten Days late is "that other all-female band from Vancouver." While the band may not receive as much media attention as Cub, that doesn't stop them from rocking out. Take peppy, driving, somewhat punky guitars, throw in a singer who is so melodic,she could single handedly get the band a deal with K records if she wanted to, ada pinch of fun lyrics and sing along choruses, an you'll have a pretty good idea of whatTen Days Late sounds like. Checkout how the label art on the b-side magically transforms the little pole on your record player into a naughty private part. (Rude? Vulgar? Crass? Totally. Good fun? Definitely!) Lark Records PO Box 162 916 W. Broadway Vancouver BC V5Z 1K7 -Electronaut ------ Kat Rocket _Coffee Shop Philosophers_ 7" A nice slab of vinyl from this Ontario four piece, apparently in advance of an upcoming long player. English-style guitar (when IS the new MBV coming out anyways) flows nicely with the standard issue haunting female vocalist. The a-side is a protest song about Bosnia that, suprisingly, doesn't come off as trite, while the b-side is a nicely atmosphereic tale of broken love. Reccomened Hoodwink Records 256 Betty Ann Drive Willowdale, Ont. M2R 1AB -Mike -=-=-=-=-=-=-=-=-=-= Me, Myself, and Sloan By Keith Moen -=-=-=-=-=-=-=-=-=-= Preview Sloan/Thrush Hermit Thursday, September 15, 1994 Louis' Pub, University of Saskatchewan As a youngster, I vividly recall watching Toni Basil perform her then new single "Mickey" on American Bandstand. Sitting in my pajamas on that Saturday morning, eating Honeycomb cereal, I was inspired. I knew I was hearing something special, something that would endure, something that regardless of how hokey it was, was here to stay. I also recall getting an unmarked tape a few years ago from a friend who is a live sound engineer based out of Vancouver. He had just returned from a tour of the West Coast and had spent considerable time in both Los Angeles and Seattle meeting with industry professionals and musicians. He claimed to have happened upon a band from Seattle whom he felt were going to be the next big thing. Over the next several weeks I listened to the cassette of this unnamed band regularly and found it to be hook-filled power pop, and decided the first song had anthem potential. I then lost this nameless band's tape and, although I wondered who they were from time to time, never pursued a replacement copy. Months later this anthem song, "Smells Like Teen Spirit," and the band Nirvana were tearing through the pop charts and redefining the musical landscape for a generation. The emotional impact each of the above musical experiences had on me is comparable to my feeling upon first listening to Sloan's latest effort Twice Removed (DGC Records). The album is well- crafted but not crafty; precise without pretension; a calculated gamble for the band without a calculated feel. It is pure guitar- based pop, as pop once was, and as pop will be Q and has already begun to become Q again. It is a strong and diverse effort, and one which will either bring the Halifax band a whole new legion of fans (and the lucrative U.S. market), or undermine existing support of fans unwilling to evolve with the band. There is no doubt Sloan has grown since the release of its debut album Smeared in 1992. "We're four distinct songwriters evolving at four different rates and in four separate directions," says bassist and vocalist Chris Murphy. "Some people look at that as a problem but we see it as being democratic. It's also volatile. Fortunately, we channel that potential for an explosion into the music." Twice Removed is clearly a tribute to the band's ability to write separately but work collectively. The process that tears many bands apart seems to add a vigour and energy to Sloan's music. It has served the band well. The strength, quality, and maturity of the song-writing also seems to be a major difference between the debut and sophomore albums. Guitarist Patrick Pentland says that while the songs on Smeared were done in true garage rock fashion, the songs on Twice Removed were mostly written in relaxed and personal settings, and on acoustic guitar. It is natural, then, that the resulting album is light and stripped down compared to the loud guitars and fuzzbox riffing which characterize Smeared. Band members claim their experiences of the last two years are featured prominently in the lyrics on Twice Removed. During that time band has toured extensively in Canada, Europe and the United States, and established their own record label, Murderecords, based in Halifax. The label has released E.P.'s by Eric's Trip, Hardship Post, and Thrust Hermit, who are the opening act on Sloan's current tour. Murderecords is also marketing a limited edition vinyl release of Twice Removed. "We can't help but rant and rave about what's happened in the last two years. It's true to our lives," Pentland says. Although comparisons are unfair and often misleading, Sloan was categorized by many when Smeared was released and criticized for hopping on the grunge bandwagon. Twice Removed is ample evidence that many of those original complaints were unfounded, or at least pidgeon-holed a band with loftier talents and aspirations. Strangely enough, though, even more comparisons are now being drawn with the release of the new album. Drawing from the foundations of pop/rock music, there are echoes of the Beatles and early Rolling Stones. More modern comparisons include the Pretenders (is it just me or does Jay Ferguson sound just like Chrissie Hynde on "I Hate My Generation"), Lou Reed, XTC, and Matthew Sweet. Comparisons have even focused on guitarist Jay Ferguson's suggested resemblance to Mick Jagger and Murphy's resemblance to Jim Morrison. All things considered, the band is sharing some fine musical company. Anyone who has seen Sloan perform and is now fearing an "unplugged" style concert can set those fears aside. There are clear signs in several of the songs on Twice Removed ("Pen Pals," "Worried Now," "Coax Me") that they will fit right in to a live set known to keep limbs flailing on the dance floor. Commenting on the difference between the album and a live show, Pentland says: "These are the songs (on the album) that we wrote the way that we wanted to present them. If we are going out on some limb, well that is what makes playing and writing in a band satisfying and fun. Come and see us play, that is the only cool aspect of the band as far as I'm concerned." -------- Sloan with opening act Thrust Hermit plays Thursday, September 15, at Louis'. Before Sloan's performance at Louis' on Thursday, September 15, I had a chance to speak with guitarist Jay Ferguson about influences, the new album, and the current tour. Sheaf: "How has the tour been going so far and what has the crowd reaction been like to the new album?" Jay: "It's been all right. This is the fifth show unfortunately it's not all ages but the last time we played in Saskatoon the club was full and it was fun. The crowd response to the new record has been great and we are essentially playing sold-out shows right across Canada." Sheaf: "Are you enjoying the same success in the United States?" Jay: "It's great in the mid-West and good on the coasts. In places like Boston, Detroit, Washington D.C., and San Francisco were get the same sort of response as we do in Canada. The shows in the South, particularly the swing through Texas, Louisiana, and Alabama is hard. We still play a lot of small clubs there." Sheaf: "What's your favourite part of being in a band?" Jay: "The live shows are really fun, but touring is long and stressful. I like recording and I like staying at home. We have our own record label Murderecords which we work on a lot and that's my favourite thing." Sheaf: "So the band is your job then?" Jay: "I haven't had a job in two and a half years. This is basically all I've done and it's great. It's been my total dream since I was five years old. After seeing Kiss on t.v. and buying Destroyer this is what I've wanted to do." Sheaf: "The new album Twice Removed has a lot more refined sound than the debut Smeared. I expect this is due to working with a producer and in a studio." Jay: "Right. We basically just knocked off the first one in our friend's bedroom, and added bits a pieces later on evenings and weekends. This one was sort of like our first real album in a real studio. We actually planned out all the songs, and it took a long time for arrangements and pre-production. We did demos by ourselves at home and had our producer, Jim Rondonelli, come to Halifax to help us practice and whip us into shape. Then we went to New Jersey for three months to record the album." Sheaf: "What was it like working with a real producer for the first time?" Jay: "At times it was a little hard because the four of us are pretty headstrong as to what we want. It was all right having him around; he helped us get sounds and things like that. At times it was frustrating and I'm sure it was frustrating for him working with us. There were a lot of clashes but he was good at being the politician between us and the record company." Sheaf: "Did the four of you stay pretty unified as far as your goals for the album?" Jay: "Pretty much. There was a lot of not fighting or anything but back and forth in the pre-production stages. Not necessarily about what songs we should record but how they should be approached and things like that. I feel the four of us had been ironed out before we went into the studio." Sheaf: "Did you take those songs into the studio written individually or collectively?" Jay: Most of it is either done by one person or two people; it sort of depends on the song. But there is not usually a lot of four-way collaboration. It's not like "Hey, I've got a riff, let's jam." There's nothing like that. Sheaf: "Did that happen with the first album?" Jay: "Peppermint and Smeared were both recorded at the same time. For that session we didn't have any idea; we just went in and recorded. It wasn't as planned out. If someone wanted to lay some more guitars on it, we tried it. We went in and recorded a ton of stuff and for mixing we'd just add some guitar here and take some guitar away there, then build it up. With this record we pretty much had the idea of all the parts before we went in. So this one was a lot more planned. The first one was just a total free-for- all, basically." Sheaf: "How do you feel about the comparisons that have been drawn in response to the new album between Sloan and early Rolling Stones, the Beatles, the Pretenders, XTC, and other very traditional pop/rock bands?" Jay: "That's fine. I love those bands and those records. Twice Removed is a bit more traditional and straightforward than our last record. It's straightforward but it is also sort of all over the place. I like a lot of variety when I listen to a record. I don't like the same thing repeated twelve times like on a Smashing Pumpkins record. I don't mind those comparisons at all because I love all of those bands." Sheaf: "All of you guys must have grown up listening to those records, particularly the late seventies/early eighties music." Jay: "I did, but not the other guys. We all grew up listening to Kiss. After that Chris was totally into Rush and all that stuff. Then in grade ten he got his head turned around by Minor Threat and American hardcore. Patrick and Andrew grew up listening to Iron Maiden and Judas Priest, but Andrew was also into Bauhaus, Joy Division, and things like that. I don't know how many of them were Jam fans. I don't think Patrick was. He was into metal and AC/DC a lot , but he was also into the Cure, Sisters of Mercy, and the Cult. I started working in a record store when I was twelve, and my boss was a huge Pretenders fan. I also knew all these older guys who hung around the store who were really into the Jam and the Specials. I didn't know anything about those records but I'd buy them and go home and listen to them. So most of my influences come from hanging around a record store when I was twelve and thirteen years old." Sheaf: "How does it feel to be compared looks-wise to Mick Jagger?" Jay: "I've gotten that a few times; I think it's my new haircut. My girlfriend cut my hair just before we went to do our new video (for the song "Coax Me"). I had been watching the video for the Jam's "A Town Called Malice" and I decided I wanted my hair like that, so I guess it kind of ended up as a hybrid." Sheaf: "What do you think of the video?" Jay: "The whole thing was our idea, basically, and we just got a bunch of money to do it. It was inspired by a bootleg I have of the Rolling Stones playing on Top of the Pops in 1967. We tried to emulate all of the camera moves. But MuchMusic hates it. They put it in an optional rotation, so programmers only play it if they want to. They played it a bit when we first handed it in, but then it really tailed off. We shot it on video, which I think annoyed them a bit, and they said we looked really bored in it. We're really happy with it though." Sheaf: "What's next when this tour is over?" Jay: "The Canadian tour we're on now goes for eight weeks. Then we'll go home, and we'll be going to Europe either in November or just after Christmas. We have a few new songs in the works, and there's always a lot to do with Murderecords. It'll be busy." ------ Review: Sloan with Thrush Hermit Louis' Thursday, September 15, 1994 Sloan loosens up for crowd-pleasing performance On Thursday, September 15, Halifax band Sloan took to the stage at Louis' in front of a packed house for an evening of energetic and entertaining music. The performance was centered on material from their new album Twice Removed. The crowd was also treated, though, to a number of cuts off of the band's debut album Smeared. Although the dance floor was essentially full for the entire set, it reached overflow levels during Sloan classics "Underwhelmed" and "I am the Cancer." The show opened with a rousing and comical introduction by Thrust Hermit bassist Ian McGettigan. Sloan then ripped into a relaxed but heavy-sounding version of "Pen Pals," the lead track on Twice Removed. This loose but true approach to the songs remained throughout the performance. The concert also featured excellent versions of "Bells On," "Coax Me," and "Deeper Than Beauty," all featured on Twice Removed. Perhaps the most memorable song of the night, other than "Underwhelmed" which worked the crowd into a complete frenzy, was drummer Andrew Scott's "People of the Sky." Scott came out front to play guitar, while guitarist Jay Ferguson moved to bass and Chris Murphy moved to drums. The song was both funny and catchy, and will be the second single from Twice Removed. The high point of the evening which essentially everyone missed, unfortunately, was Sloan's pre-show sound check. Due to several technical problems, the check was lengthy but thus provided the band with the opportunity to have some fun. In the very relaxed atmosphere of the empty bar, the bad cut into several tunes including U2's "Seconds," Joe Jackson's "Pretty Boys," and the Who classic "Tommy." They also did masterful renditions of "Coax Me," "Worried Now," and a hilarious version of "People of the Sky." It was a treat to see a band obviously enjoying each other, and having a great time. Thrush Hermit opened the show with a solid and tight if unspectacular set. Although still quite young (a couple of members are just a year out of high school), they performed like wily veterans. Their sound seemed similar to that of the headliners, but rooted more in American than British pop/rock music. Comparisons that came to mind during the performance included some of the more interesting Cheap Trick and the Buzzcocks. Although the crowd on the whole seemed somewhat disinterested in their set, the response was good given it was Thrush Hermit's first visit to Saskatoon. Expect good things to come from the band. -- S>U>B P