CHIAPANECA a "cancion" by marco capelli frucht (c)1999 Marc Frucht Release date: 21mar99 Part I Am G F -5-555-787-58-3-333-5-7-8-7875-1-111- -5------------3----------------1----- -5------------4----------------2----- -7------------5----------------3----- -7------------5----------------3----- -5------------3----------------x----- E (v)(v) 3-5-3-1-5-3-1-5-3--0-000-1-0-0-3-00-5-7 -------------------0------------------- -------------------1------------------- -------------------2------------------- -------------------2------------------- -------------------0------------------- Part II C G Bb F -x---------3----------6----------1---- -5(9times)-3-(9times)-6-(9times)-1(7times) -5---------4----------7----------2---- -5---------5----------8----------3---- -3---------5----------8----------3---- -x---------3----------6----------x---- G C G Bb A7 -3--x---------3---------6----------5-5-5 -3--5(9times)-3(9times)-6-(7times)-5-5-5 -4--5---------4---------7----------6-6-6 -5--5---------5---------8----------5-5-5 -5--3---------5---------8----------7-7-7 --------------3---------6----------5-5-5 Part III Am Am B B D B E B -5-------5-----------x----------------7- -5-------5-----------x----------7-4-9-7- -5-------5-----------4-----4----7-4-9-8- -7-------7-----------4-----4----7-4-9-9- -7-------7-----------2--0--2--0-5-2-7-9- -5--3-0--5--3-0--3535----3------------7- C C* A F F *Timing is -8--8---5-1-------- is misleading -8--8---5-1---x---- here in TAB; -9--9---6-2---10--- you'll have to -10-10--7-3---10--- get a feel for -10-10--7-3---10--- for it. -8--8---5-1---8---- [Repeat part I.] [then jump to IV.] part IV # -8-888-10-12-10-8-12-777-8-7--------- -----------------------------8--10-8- ------------------------------------- ------------------------------------- ------------------------------------- ------------------------------------- hp * ----------------------------- -686s5-65-5-6-86------------- ---------7------s9-s9-s9-s5-- ----------------------------- ----------------------------- ----------------------------- -8-888-10-12-10-8-12-13-1313---- ----------------------------12-- -------------------------------- -------------------------------- -------------------------------- -------------------------------- & ------------------------------- -13-12-s15-1515--12--13-1313--- ---------------14--14---------- ------------------------------- ------------------------------- ------------------------------- [Repeat part III.] [Repeat I.] [Repeat part II.] [Hit one extra A7 or repeat part III depending on crowd's "vibe." (or maybe that stupid Beatles ending chord; or scream at high G falsetto shaking your moptop.)] notes. 1. The numbers right next to each other are thirty-second notes, but don't fret. Just "tremelo" these notes a bit and you'll feel for them by the second time you play this song, I'm sure of it. 2. I chose to express this in TAB rather than standard notation (and have little intention of ever publishing this in "s.n.") for the same reason Dante chose the language he chose for publishing "Inferno." If you have no idea what I'm talking about please a) go look it up b) or delete this song from your memory and forget you ever knew me. 3. I will never tell the name of the person I wrote this song for (and about) but a clue for people who know me well -- I bought a video-cassette from her in 1997 4. I came up with a strange way to signify the repeats after I typee the last part. I wish to keep this easily played but exactly as I play it in-case anyone wants to catch the exact same vibe. 5. Please a) distribute this far and wide, b) always keep my name with it; c) never make money off of it. 6. Each of the chords in part 1 are played dragging the three fingernails (m,a and the "pinky" from the bass-most note to the treble high in one quick snap. 7. (v) = vibrato. Very demonstrative. No other vibratos the first time through will make these two notes "hit home" best. 8. The following words are very important to this song. a) !presente! b) basta c) nunca mas 9. The only way I know how to describe the "9times" and "7times" in Part II. is you strum them rapidly to get a tremolo effect similar to what's done with a single note, but the chord's repeated those many times. 10. h=hammer on 11. p=pull off 12. *=5th or 6th fret both sound good to me. I think I like 5 better. 13. s=slide. (both up and down, you'll see right away) 14. #=chords from part 2 if there's a second guitarist. Otherwise, you're on your own. 15. I suggest sliding your thumb behind fret 12 and dropping your left elbow low, with the thumb almost touching the "horn" if you're like me and think cutaways are stupid. 16. Dedications: Maiko, Ingrid, Brenda, Elevinio, Nana, Dad, and you. 17. Have a nice day. Ya Basta, marco capelli http://pagina.de/capelli http://marco.franklins.net ati@etext.org